
Showing posts with label Scandinavian. Show all posts
Showing posts with label Scandinavian. Show all posts
Friday, June 2, 2017
Viking Striped and Raked Beads
Recreation of a bead inspired by the historic bead found on this post of the Text and Trowel Blog. On the blog the author says the red/white waves were completed by "tracing wave patterns with the red and white rod." I don't believe this was the case. I found that I could get this wave pattern by raking a line created by a red/white flattened cane of glass. If you look at the tip of the waves on the historic bead, you will see that the red seems to disappear. I found this happened during some of my tests as I pushed the striped cane out.
Another bead made with that same wave pattern. This one came from a picture in Callmer's bead typology . It was originally dark blue, but I made the base it black for the person who had asked for this bead. It is similar to some of the beads pictures on this post from the Text and Trowel Blog.

Saturday, July 2, 2016
Necklace based on Birka Grave 1081
Note: A better photo is available through the Swedish History Museum at http://historiska.se ,I just cant find it at this exact moment.
Edit: Museum Search Page: http://mis.historiska.se/mis/sok/sok.asp?qtype=f&page=4
Necklace Museum Page: http://mis.historiska.se/mis/sok/fid.asp?fid=363879
Föremål 363879. SHM 34000:Bj 1081
Numbered List of Birka Graves: http://mis.historiska.se/mis/sok/birka.asp?sm=10_7&page=6&zone=&mode=
Wednesday, March 9, 2016
Monday, June 15, 2015
Bead string for Ysmay
Bead string for Ysmay in the colors of her heraldry (blue, red and yellow).
I'm wondering if heraldic colors work well for viking inspired bead strings because of the need for contrast in making a heraldic device. Including both "metals" (yellow and white) and non metals ensures there will be both light and darker colors that contrast well. I happen to think that these three colors work very well together, and as a result, this necklace was a pleasure for me to design and make.
The polychrome beads are based on period Scandinavian beads that I first made several months ago for a largesse gift.
http://elysabethunderhill.blogspot.com/2015/02/viking-glass-bead-tokens.html
You can see that I've used the leftmost first two beads from the above link. By changing only one of the three colors on each bead I was able to make them work with Ysmay's heraldic colors.
I tried to bring a bit of period "randomness" into an otherwise modern symmetrical stringing by alternating which color annular bead (yellow or red) is next to the blue melon bead.
I'm wondering if heraldic colors work well for viking inspired bead strings because of the need for contrast in making a heraldic device. Including both "metals" (yellow and white) and non metals ensures there will be both light and darker colors that contrast well. I happen to think that these three colors work very well together, and as a result, this necklace was a pleasure for me to design and make.
The polychrome beads are based on period Scandinavian beads that I first made several months ago for a largesse gift.
http://elysabethunderhill.blogspot.com/2015/02/viking-glass-bead-tokens.html
You can see that I've used the leftmost first two beads from the above link. By changing only one of the three colors on each bead I was able to make them work with Ysmay's heraldic colors.
I tried to bring a bit of period "randomness" into an otherwise modern symmetrical stringing by alternating which color annular bead (yellow or red) is next to the blue melon bead.
Sunday, February 15, 2015
Sunday, January 11, 2015
Viking Necklace
This necklace was made for a friend. She has a viking persona, so she needed a necklace.
My inspiration was the necklace that can be found at this link .
The original colors I wanted were coral and green, which would have more closely matched the necklace above, but the coral effetre 104 COE glass is problematic . It tends to turn grey unless treated a specific way in the flame, something called striking, which I can not do with the torch I have. So we added in yellow and orange instead of the coral, and things got much easier from there on.
This necklaces is mostly made from monochrome beads, just like the example I linked to above. I added in a few different types of polychrome bead designs, and those designs can be documented very easily using Johan Callmer's book "Trade Beads and Bead Trade in Scandinavia."
I tried to keep the organization of the beads on the necklace feeling somewhat random, just like the the viking necklace I used as inspiration. I did this by creating a variety of colors, and shapes in the beads, and also by stringing them onto the necklace in a random pattern.
There are approximately 180 beads in this necklace!
Making this necklace was a useful experience because I had the chance to practice making very simple beads, and it became much easier and faster for me to make these beads over time and after all this practice. I even learned how to make more than one bead on a mandrel at a time.
The necklace I used as inspiration was not all made from glass. In the future I might try to mix glass beads I make with store bought stone beads to more closely match what was done with some period necklaces.
My inspiration was the necklace that can be found at this link .
The original colors I wanted were coral and green, which would have more closely matched the necklace above, but the coral effetre 104 COE glass is problematic . It tends to turn grey unless treated a specific way in the flame, something called striking, which I can not do with the torch I have. So we added in yellow and orange instead of the coral, and things got much easier from there on.
This necklaces is mostly made from monochrome beads, just like the example I linked to above. I added in a few different types of polychrome bead designs, and those designs can be documented very easily using Johan Callmer's book "Trade Beads and Bead Trade in Scandinavia."
I tried to keep the organization of the beads on the necklace feeling somewhat random, just like the the viking necklace I used as inspiration. I did this by creating a variety of colors, and shapes in the beads, and also by stringing them onto the necklace in a random pattern.
There are approximately 180 beads in this necklace!
Making this necklace was a useful experience because I had the chance to practice making very simple beads, and it became much easier and faster for me to make these beads over time and after all this practice. I even learned how to make more than one bead on a mandrel at a time.
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Close up view of a few of the beads. |
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Beads broken out into piles by type |
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Final Necklace. Glass beads (made by me) with store bought amber beads and an amber Thor's hammer. |
The necklace I used as inspiration was not all made from glass. In the future I might try to mix glass beads I make with store bought stone beads to more closely match what was done with some period necklaces.
Saturday, November 1, 2014
Large Murini Bead
The original is larger than my bead (my bead measures 2 cm in height, and 1.75 cm in diameter). I made mine smaller because I did not have a mandrel which could make a hole as large as the extant bead, so making it full size would have required a huge amount of glass and time.
Here you can see a section of the cane that I pulled to make the murini. It is about 20 inches long.
Thursday, March 20, 2014
Viking Mosaic "Eye" Beads

Full Documentation for Project
Primary Source:
Callmer,
Johan. Trade Beads and Bead Trade in Scandinavia, ca. 800-1000 A. D. Bonn:
Rudolf Habelt Verlag, 1977.
Associated Creative Project:
As a
creative project, I constructed a mosaic cane in the colors of my heraldry,
which are green and yellow.
I created the mosaic cane with five rays, because one of the
elements of my heraldic device is a cinquefoil, which is similar in shape to a “Starburst”
Viking mosaic design.
I then added dots to the ends of the
rays to more closely approximate the cinquefoil. I think these would make great tokens!
I added a
metal wire ring to the bead as an added design element. Individual beads have
been found in graves with rings attached to the bead like this. Below are two links from England's Portable Antiques Scheme website which I used in making the rings.
http://finds.org.uk/database/ artefacts/record/id/395410
http://finds.org.uk/database/ artefacts/record/id/395405
http://finds.org.uk/database/
Monday, May 20, 2013
Reticella Beads
Purpose
To recreate, as accurately as possible, a style of early medieval bead known as Reticella beads. In working to recreate this bead, my hope was also to improve my ability to create and work with twisted glass rods, as the use of these glass rods is the major skill required to make Reticella beads.
These beads were found in several societies. The color combination in the top row of beads were from Frankish/Merovingian people and they were also imported into Anglo-Saxon England from the continent. The color combination from the bottom row of beads is from Scandinavia and Ireland. T

These beads were found in several societies. The color combination in the top row of beads were from Frankish/Merovingian people and they were also imported into Anglo-Saxon England from the continent. The color combination from the bottom row of beads is from Scandinavia and Ireland. T
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